I've spent the last three years thinking way more about Yasutaka Nakata than most people probably should. That's just what happens when you write and then edit (again and again) a book focused heavily on his approach to music production. Yet 2018, despite only being three months old, has felt like a bit of a crossroads for one of J-pop's biggest behind-the-board names. So far, he's shared work related to three projects, two of which are his biggest J-pop vehicles and the other being his own solo effort. Ten years ago, Nakata shook up J-pop thanks to his work on
Make Believe Mailer Vol. 27: Nakata Report 2018
Make Believe Mailer Vol. 27: Nakata Report…
Make Believe Mailer Vol. 27: Nakata Report 2018
I've spent the last three years thinking way more about Yasutaka Nakata than most people probably should. That's just what happens when you write and then edit (again and again) a book focused heavily on his approach to music production. Yet 2018, despite only being three months old, has felt like a bit of a crossroads for one of J-pop's biggest behind-the-board names. So far, he's shared work related to three projects, two of which are his biggest J-pop vehicles and the other being his own solo effort. Ten years ago, Nakata shook up J-pop thanks to his work on